Eye For Film >> Search >> 'Takashi Miike'
A retired samurai has to assemble a squad of assassins and set a town-sized trap.
Boy meets boy in a surreal prison for convicted murderers.
Manga tale of an immortal warrior, who cannot be released from his torment until he has killed 10000 evil-doers.
Cops versus the Japanese mafia thriller.
A renegade cyborg locks horns with a hard-boiled cop in the final part of Takashi Miike's sci-fi trilogy.
A troubled gangster takes refuge in an inn where strange fertility rites will change him forever.
A young boy is chosen as the defender of good and must team up with Japan's ancient spirits and creatures of lore to attempt to destroy the forces of evil.
Running a guest house proves deathly for a family. Just as well they know a few good songs.
Takashi Miike follows 13 Assassins with a neo-classical remake of the Yasuhiko Takiguchi story about desperate, impoverished ronin and implacably cruel feudal lords.
Ultra-violent film about an autistic-turned-killing machine.
In the final part of the trilogy, the yakuza clan he infiltrated tries to import pasta made entirely of methamphetamines: speed-a-ronis.
Five police officers struggle to protect a murder suspect afer a powerful man puts a price on his head.
A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.
Three of Asia's premier horror directors deliver spine-tingling short tales of terror, torture and tormented twins.
Bait for the beast Simon Panay on challenging attitudes to albino people in The Boy With White Skin
Ice cool Hélène Cattet and Bruno Forzani talk Reflection In A Dead Diamond
Songs and silence Urška Djukić on music, unspoken communication and Little Trouble Girls
The beauty of doubt Toni Servillo on costumes by Carlo Poggioli and working with Paolo Sorrentino on La Grazia
Peter Hujar's Day leads Independent Spirit nominations Full list of film contenders revealed
One Battle After Another takes top Gotham prize It Was Just An Accident wins on the numbers
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